A decade ago today, Tupac Shakur died after a drive-by shooting in Las Vegas. Yet he has become immortalized through current remixes, desperate imitators, and college dorm posters. People continue to idolize Tupac because he was neither derivative nor uninspired; unlike today’s “hyphy” or “crunk” hip-hop movement, Tupac’s songs were intelligent and substantial. They don’t repeat moronic verses over and over, but rather convey a coherent and articulate message.
This is my favorite poem by Tupac:
When Your Hero Falls
When your hero falls from grace
All fairy tales are uncovered
Myths exposed and pain magnified
The greatest pain discovered
You taught me to be strong
But I’m confused to see you so weak
You said never to give up
And it hurts to see you welcome defeat
When your hero falls so do the stars
And so does the perception of tomorrow
Without my hero there is only
Me alone to deal with my sorrow
Your heart ceases to work
And your soul is not happy at all
What are you expected to do
When Your only hero falls?
Changes, perhaps his best known social statement, is both a sample a response to Bruce Hornsby’s The Way it is, a song about the 1960’s Civil Rights Movement. Hornsby’s song expresses the pain of segregation and the close-mindedness of racial policy. Tupac viewed his current world, amidst the racial and social complexity of South Central Los Angeles, and points out the covert segregation and hatred that still exists. His response is blunt: “I still see no changes”. Changes asks many questions: by acquiescing to the inherent wrongs of racism mentioned in The Way it is, are we currently condoning such actions because we find it convenient or rather because we simply are limited and cannot progress? Or is Tupac optimistically viewing a rather dismal situation and hoping for, well, changes?
I’d love to hear E-40’s take on the matter, but I’m afraid that the message would be lost amidst an unintelligible jumble of “hyphy”, “thizz”, and “giggin”. Today’s mainstream hip-hop has lost its luster, trading in it’s artistic edge for materialistic image. Too bad: if today’s artists took off their “stunna shades”, perhaps they’d see the potential their art form truly possess to both inform and inspire.